Sunday, November 18, 2012

Stars All Seem To Weep - Night Chill

Stars All Seem To Weep is Night Chill Pt. 2 and continues the eternal groove of downbeat jams and chill beats. Beth Orton makes a return to lead off the mix and some more ladies of jazz, Ella Fitzgerald and Billie Holiday, are remixed again. Some of the remixers, Royksopp and Zero 7,  from the first part are represented here with tracks from their own albums. Some classic post-punk bands, The Stone Roses and The Flaming Lips,  are remixed and a couple of new bands, Beach House and Animal Collective,  also make an appearance. Bill Laswell shows up in the series for the first time remixing the John Coltrane classic for Carlos Santana and John McLaughlin and also does an ambient dub version of Bob Marley. He will show up many more times throughout this series. Moby shows up for the first time too but no new wave this time.

1.   Beth Orton - Stars All Seem To Weep
2.   Moby - First Cool Hive
3.   Ella Fitzgerald - Angel Eyes (Layo & Bushwacka Mix)
4.   Science Dept. & Erire - Breathe
5.   Beach House - Wishes
6.   Animal Collective - Bluish
7.   The Stone Roses - Shoot You Down (The Soul Hooligan Remix)
8.   The Flaming Lips - Do You Realize? (Scott Hardkiss Floating In Space Mix)
9.   Billie Holiday - Don't Explain (Dzihan & Kamien Remix)
10. Carlos Santana & John McLaughlin - A Love Supreme (Bill Laswell Remix)
11. Bob Marley - Is This Love (Ambient Dub Mix)
12. Royksopp - So Easy
13. Zero 7 - Destiny
14. Alphawezen - Into The Stars

Thursday, November 1, 2012

James Brown on the subway

In the early to mid 90's I liked taking the subway downtown to the central public library every day. I would walk a few blocks from our home over to the Main Street line and then take a relaxing ride to work reading a book. Read lots of books on that train.

I read the James Brown autobiography/memoir sitting in the subway car during the summer of 1993. It was a particular fun read given the rants and the extremes he goes to justify his sometimes crazy behavior. Highly entertaining. It was also very interesting to learn about his childhood and growing up in the South. Of course the sections about his music and the recording industry were fascinating.

One day while sitting in the subway car reading this book an older black man struck up a conversation. He had obviously read the book when he started quoting some of the lines and referring to other incidents while laughing and asking me what I thought about it. He was very knowledgeable about James Brown and the contents of the book. It all made for a highly entertaining ride home from work that day.

In October 2012 I read another book about James Brown that was marketed as the definitive biography that explored his musical genius and inspirations. While reading it I still had the earlier Brown salacious memoir spinning around in my head.